Search results for Audix CBLDR25 Microphone Cable with Right Angle
| Audix CBLDR25 Microphone Cable with Right Angle $ 29.95  Did you ever have to struggle getting a regular straight mic cable around a mixer or in it's proper place in a DI? If you have then you know what great use a right angled connection on a XLR cable can be. The Audix CBLDR25 is a tough, rugged mic cable suitable for continuous use and is fashioned for strenuous use of the wire so it won't split on you. Dual twisted pair wiring and full shielding offer pro-quality signal transfer and rejection of interference. |
| CBI Low-Z Microphone Cable with Right Angle $ 26.95  From CBI's best-selling MLN series, this cable features Belden Custom 22 gauge balanced wire for maximum flexibility and durability, Neutrik X Series XLR connectors for 100% strain relief, and a right angle connector design for a low visual profile and ease of use in tight spots. They are constructed with Beldens 22 gauge 2 conductor super low noise, ultra flexible audio cable then fitted to Neutrik male and female XLR connectors. |
| Audix M1280 Micro Condenser Microphone $ 399.0  The Audix M1280, a miniaturized condenser microphone with a fully integrated preamp and detachable cable, has complete immunity from RF interference caused by cell phones and GSM devices. The M1280, is equipped with a cardioid capsule and gives the microphone the unique ability to be used in a wide variety of live, studio and broadcast applications. |
| Audix F5 Instrument Microphone $ 79.99  The all-purpose Audix f5 Fusion Series dynamic instrument microphone is designed to mic a wide variety of musical instruments, including snare, toms, percussion, guitar and bass cabinets, brass, flute, and woodwinds, as well as vocals and speech. Assembled and tested by Audix in the USA, the f5 is an ideal mic for both stage and studio applications. With a wide frequency response of 55Hz-15kHz, the versatile Audix f5 mic provides clear, accurate, natural sound reproduction without having to rely on EQ. The f5 mic handles sound pressure levels in excess of 137dB without distortion, which lets you mic anything from guitar and bass cabinets to heavy brass with supreme confidence. Sturdy, compact, and easy to position, the f5's roadworthy construction includes a precision-cast zinc-alloy body, black finish, laser etched model number, steel mesh grill, gold XLR connector, and a tension-fit heavy-duty-nylon mic clip.Using in Audix f5:The f5 has a tight (hypercardioid) pick-up pattern in order to help eliminate sound from other instruments on stage from bleeding into the microphone. For this reason, it the f5 is exceptionally effective for drums and percussion in be able to capture the sound of each component of the kit. Snare:Start with the f5 about 2 inches above the head and aimed towards the center of the drum. For more "rim" effect, the f5 can be aimed less towards the center and more towards the rim. It is not uncommon for engineers to place the mic practically right on the drumhead to achieve a very tight, cracking sensation. Toms, congas:Similar to snare. For tighter sound and more attack place, the mic closer to the head. For more decay and overtones pull the mic further away from the head. Guitar cabs:The f5 can be placed within 1-2 inches of the grill cover at a 90 angle pointing directly into the speaker. If the mic is placed closer to the edge of the speaker, you will minimize the higher frequencies and get a warmer, fatter tone. To capture more highs, move the mic closer towards the center of the speaker, but avoid the middle of the speaker.Horns:Place the mic within 1 - 2 inches of the bell, especially when on a stage with drums, bass, guitar, etc. For jazz, classical, and music where the stage volume is lower, the mic can be placed further away for a richer, fuller, sound. Operation:The f5 is a low impedance microphone and should be plugged into a mic-level input on your console, mixer, or recording device. Please note that your microphone does not require phantom power and will not be effected in any way by phantom power should it be running simultaneously when the microphone is in operation. Avoid plugging or unplugging the microphone from the PA system unless the channel is muted or the volume of the system turned down. Failure to do so may result in a loud popping noise, which could seriously damage the speakers in the PA system. Hypercardioid pickup pattern for isolation and feedback controlLow-mass diaphragm for clear, natural, ac |
| Audix Mb8450 Microboom 84" Carbon Fiber Microphone Boom System $ 579.0  The Audix MicroBoom MB8450 Carbon Fiber Boom System consists of an 84" (1270mm) carbon-fiber rod that can be used with any condenser microphone in the Audix's Micros series. Lightweight and attachable to any microphone stand, the Audix MicroBoom MB8450 is a problem solver for many hard-to-reach miking applications, including choirs, plays, and orchestras.The MicroBoom MB8450 can be used with a choice of microphone capsules in the Audix Micros series, offering a broad choice of pick-up pattern and frequency response. Audix uses high-quality shielded internally to insure the cleanest audio signal path between the microphone and the bottom of the boom where the cable terminates in a mini-XLR male connector. The boom's stand adapter is designed for total control over the MB8450 MicroBoom's every angle, rotation, and position of the carbon fiber rod. A metal thumbscrew locks the rod firmly in place. The final angle and position of your microphone is controlled by the flexible metal gooseneck just below the microphone. The Audix MicroBoom MB8450 looks ultra-clean, professional, and elegant on stage while providing exceptional performance and portability.Lighweight, rigidPortable, easy to positionClean, elegant appearanceExceptional sound qualityWorks with your choice of Audix capsulesNo external power neededAttaches to any mic standCan be used horizontally or vertically25" shielded mic cable with Mini-XLR female XLR male connectorsMic stand adapter with thumbscrew and wing nut adjustments |
| Audix Mb8450 Microboom 84" Carbon Fiber Microphone Boom System $ 579.0 The Audix MicroBoom MB8450 Carbon Fiber Boom System consists of an 84" (1270mm) carbon-fiber rod that can be used with any condenser microphone in the Audix's Micros series. Lightweight and attachable to any microphone stand, the Audix MicroBoom MB8450 is a problem solver for many hard-to-reach miking applications, including choirs, plays, and orchestras.The MicroBoom MB8450 can be used with a choice of microphone capsules in the Audix Micros series, offering a broad choice of pick-up pattern and frequency response. Audix uses high-quality shielded internally to insure the cleanest audio signal path between the microphone and the bottom of the boom where the cable terminates in a mini-XLR male connector. The boom's stand adapter is designed for total control over the MB8450 MicroBoom's every angle, rotation, and position of the carbon fiber rod. A metal thumbscrew locks the rod firmly in place. The final angle and position of your microphone is controlled by the flexible metal gooseneck just below the microphone. The Audix MicroBoom MB8450 looks ultra-clean, professional, and elegant on stage while providing exceptional performance and portability.Lighweight, rigidPortable, easy to positionClean, elegant appearanceExceptional sound qualityWorks with your choice of Audix capsulesNo external power neededAttaches to any mic standCan be used horizontally or vertically25" shielded mic cable with Mini-XLR female XLR male connectorsMic stand adapter with thumbscrew and wing nut adjustments |
| Audix MB8450 MicroBoom 84" Carbon Fiber Microphone Boom System $ 579.0  The Audix MicroBoom MB8450 Carbon Fiber Boom System consists of an 84" (1270mm) carbon-fiber rod that can be used with any condenser microphone in the Audix's Micros series. Lightweight and attachable to any microphone stand, the Audix MicroBoom MB8450 is a problem solver for many hard-to-reach miking applications, including choirs, plays, and orchestras.The MicroBoom MB8450 can be used with a choice of microphone capsules in the Audix Micros series, offering a broad choice of pick-up pattern and frequency response. Audix uses high-quality shielded internally to insure the cleanest audio signal path between the microphone and the bottom of the boom where the cable terminates in a mini-XLR male connector. The boom's stand adapter is designed for total control over the MB8450 MicroBoom's every angle, rotation, and position of the carbon fiber rod. A metal thumbscrew locks the rod firmly in place. The final angle and position of your microphone is controlled by the flexible metal gooseneck just below the microphone. The Audix MicroBoom MB8450 looks ultra-clean, professional, and elegant on stage while providing exceptional performance and portability.Lighweight, rigidPortable, easy to positionClean, elegant appearanceExceptional sound qualityWorks with your choice of Audix capsulesNo external power neededAttaches to any mic standCan be used horizontally or vertically25" shielded mic cable with Mini-XLR female XLR male connectorsMic stand adapter with thumbscrew and wing nut adjustments |
| Audix F2 Drum Microphone $ 79.99  The Fusion Series AUDIX f2 dynamic instrument microphone is designed, assembled, and tested by Audix in the USA for stage and studio applications. The Audix f2 mic has a hypercardioid pickup pattern for isolation and feedback contro. Audix equips the f2 mic with a LM (Low Mass) diaphragm for natural, accurate sound reproduction.The Audix f2 microphone is lightweight, compact, and easy to position. With a wide frequency response of 52Hz-15kHz and the ability to handle sound pressure levels of 139dB, the Audix f2 is an excellent choice for preserving the attack of instruments like rack toms, congas, saxophone, guitar cabinets, and brass.Roadworthy Audix construction includes a precision-cast zinc-alloy body, black finish, laser etched model number, steel mesh grill, gold XLR connector, and a tension-fit heavy-duty-nylon mic clip.The Audix f2 microphone's ransformerless design, low impedance, and balanced output result in interference-free performanceeven with long cable runs.Applications:Live StageStudioRack tomsFloor tomsCongasDjembeGuitar and bass cabsBrass3-year warranty |
| Audix MB5055 MICROBOOM-50 With M1255B Microphone Cardioid $ 579.0  The Audix MB5055 package includes the Audix MICROBOOM-50 Boom System fitted with an Audix M1255B Mic capsule.MICROBOOM-50 Boom System.The MICROBOOM-50 is a simple-to-use modular system that can be used with a choice of capsules in the Audix Micros series, offering a broad choice of pick-up pattern and frequency response. The MicroBoom-50 System is a problem solver for many hard-to-reach miking applications including choir, plays, and orchestra. It is 50 inches long and is made from a strong, lightweight carbon fiber. High quality shielded cable is used internally to insure the cleanest audio signal path between the microphone and the bottom of the boom, which terminates in a mini-XLR male connector. The stand adapter designed for the MicroBoom allows for total control over the angle, rotation, and position of the carbon fiber rod. A metal thumbscrew locks the rod firmly in place. The angle and position of the microphone is controlled using the flexible metal gooseneck below the microphone. The MicroBoom-50 provides an ultra-clean, professional, and elegant appearance on stage while providing exceptional performance and portability.M1255B Miniaturized Condenser Microphone.The M1255B, a miniaturized condenser microphone with a fully integrated preamp and detachable cable, is designed with a very high sensitivity for distance miking. Applications include ceiling mount or table mount for conferencing, overhead choir miking, location recording, audience or room miking.The M1255B has complete immunity from RF interference caused by cell phones and GSM devices. The M1255B, which is equipped with a cardioid capsule, is also available with hypercardioid, omni or supercardioid (shotgun) capsules, giving the microphone the unique ability to be used in a wide variety of live, studio and broadcast applications.A wide array of optional clips and accessories (sold separately) allow the M1255B to be used for musical instruments, overhead stage miking, podiums, conferences and presentations.MICROBOOM-50 Boom Mic System:Lightweight, rigid Portable, easy to position Clean, elegant appearance Choice of capsules Exceptional sound quality No external power adapter needed Attaches to any mic stand Can be used horizontally or verticallyApplications: Choir Ensemble vocal Theatre Orchestral zone miking Location recording Presentation Conference roomM1255B Miniaturized Condenser MicrophoneSmall, lightweight, low profile Miniaturized integrated preamp circuitry No external power adapter needed 12 mm gold vapor diaphragm Immune to RF interference Extremely low noise, high sensitivity Available with a cardioid, hypercardioid, omni or supercardioid (shotgun) capsuleApplicationsOverhead mic for choir, group vocalAcoustic instrumentsAmbient room mikingSymphonic area mikingSpeech, presentationSupplied accessories: 25 shielded mic cable. Mini-XLR(female) XLR(male) (CBL-M25) Mic stand adapter with thumbscrew and wing nut adjustments (MC-MICRO) Hanging clip: (MC-HANGER)Windscreen ( |
| Audix OM-7 Microphone $ 208.39  Audix OM-7 Microphone |
| Audix D-2 Drum Microphone $ 117.39  Audix D-2 Drum Microphone |
| Audix OM-5 Dynamic Microphone $ 144.69  Audix OM-5 Dynamic Microphone |
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