Search results for AKG C518M MicroMic Drum Microphone
| AKG C518M MicroMic Drum Microphone $ 249.0  The ultimate miniature condenser microphone for drums and percussion. Its cardioid polar pattern rejects overspill from nearby instruments. A continuously adjustable vise-type clamp makes it easy to fix the microphone securely on the top hoop of most drums or percussion instruments. An external shock mount provides high mechanical-noise rejection. A special snap-on stabilizer knee will keep the gooseneck bent at a defined angle. The C 518 M features an integrated, switchable bass cut for adjusting the microphone's frequency response to your instrument's sound. |
| AKG C516ML MicroMic Instrument Microphone $ 189.0  Lightweight cardioid miniature microphone for use on accordions, guitar speakers, piano and keyboard/organ cabinets. The included screws and double-sided, solvent-free adhesive pads make it easy to install the microphone on your instrument or amp exactly where you need it. |
| AKG C519 MicroMic Brass Microphone $ 189.0  The C 519 clips onto the bell of a trumpet, saxophone, trombone, tuba, or any other wind instrument (e.g. didgeridoo). Room to move for the wind section at last! Its tight cardioid polar pattern makes the C 519 an ideal tool for use near monitor wedges, and its flat frequency response delivers a natural, powerful, and clear sound. |
| Akg C518m Miniature Cardioid Condenser Microphone $ 249.0  The AKG C 518 M is the ultimate miniature condenser microphone for drums and percussion instruments. Its cardioid polar pattern rejects overspill from nearby instruments. A continuously adjustable vise-type clamp makes it easy to fix the microphone securely on the top hoop of most drums or percussion instruments. An external shock mount provides high mechanical-noise rejection. A special snap-on stabilizer knee will keep the gooseneck bent at a defined angle. The C 518 M features an integrated, switchable bass cut for adjusting the microphone's frequency response to your instrument's sound. The AKG C 518 M is designed for use with an external phantom powering.Miniature cardioid condenser clamp-on microphone with shock mounted capsule Ideal for miking drums and percussions Including wireless direct adapter for easy use with AKG pocket transmitters Detachable microphone cable Integrated gooseneck Continuously adjustable vise type clamp The unique adapter plate A 400 allows easy attachment of the AKG pocket transmitters Includes the A 400 adapter, H 518 drum bracket, microphone bag, and the W 44 windscreen |
| Akg D 112 Kick Drum Microphone $ 199.0  On stage or in the studio the AKG D 112 Kick Drum Mic is the microphone to use to clean up the dirty low down. Stays free of distortion even at high sound pressure levels. Solid and powerful response below 100Hz. Very low diaphragm resonance, relatively narrow-band rising high-frequency response at 4kHz, and extremely robust construction are other outstanding features. Also works great for bass cabs, trombone, and other low-frequency instruments. Channel Strips of the Stars: Ronan Chris Murphy World-class producer/engineer/mixer Ronan Chris Murphy's credits include King Crimson, Steve Morse, Terry Bozzio, Victor Bisetti, Gregg Bissonette, Tony Levin, and projects with members of Tool, Ministry, Weezer, Dishwalla, and Yes. A huge fan of A Designs Audio, Ronan was kind enough to share some of his drum-recording signal chains: "Well all of the drums for Terry Bozzio's Jazz trio were recorded with all A Designs Audio solid state preamps. For drum overheads I used Shure KSM32 condenser mics (#270141) into a Pacifica for kick drums, AKG D112s into A Designs Pacificas (189903). (I prefer the Shure Beta 52 (#270267) for kick but they (D112s) were pre-mounted inside Terry's (Bozzio) kick drums. Actually I have used the Shure KSM32 into Pacifica combo on tons of great drummers, including Terry Bozzio, Victor Bisetti (Los Lobos), Gregg Bissonette (Santana, David Lee Roth), and Pat Mastelotto (King Crimson, Mister Mister, The Rembrandts)." Note: for more information about individual units in the signal chain, enter the Item ID# into our search box.Handles up to 168db SPL with no audible distortion Low diaphragm resonance Extremely robust construction 2-year parts and labor warranty |
| Akg D 112 Kick Drum Microphone $ 199.0 On stage or in the studio the AKG D 112 Kick Drum Mic is the microphone to use to clean up the dirty low down. Stays free of distortion even at high sound pressure levels. Solid and powerful response below 100Hz. Very low diaphragm resonance, relatively narrow-band rising high-frequency response at 4kHz, and extremely robust construction are other outstanding features. Also works great for bass cabs, trombone, and other low-frequency instruments. Channel Strips of the Stars: Ronan Chris Murphy World-class producer/engineer/mixer Ronan Chris Murphy's credits include King Crimson, Steve Morse, Terry Bozzio, Victor Bisetti, Gregg Bissonette, Tony Levin, and projects with members of Tool, Ministry, Weezer, Dishwalla, and Yes. A huge fan of A Designs Audio, Ronan was kind enough to share some of his drum-recording signal chains: "Well all of the drums for Terry Bozzio's Jazz trio were recorded with all A Designs Audio solid state preamps. For drum overheads I used Shure KSM32 condenser mics (#270141) into a Pacifica for kick drums, AKG D112s into A Designs Pacificas (189903). (I prefer the Shure Beta 52 (#270267) for kick but they (D112s) were pre-mounted inside Terry's (Bozzio) kick drums. Actually I have used the Shure KSM32 into Pacifica combo on tons of great drummers, including Terry Bozzio, Victor Bisetti (Los Lobos), Gregg Bissonette (Santana, David Lee Roth), and Pat Mastelotto (King Crimson, Mister Mister, The Rembrandts)." Note: for more information about individual units in the signal chain, enter the Item ID# into our search box.Handles up to 168db SPL with no audible distortion Low diaphragm resonance Extremely robust construction 2-year parts and labor warranty |
| AKG C518M Miniature Cardioid Condenser Microphone $ 249.0  The AKG C 518 M is the ultimate miniature condenser microphone for drums and percussion instruments. Its cardioid polar pattern rejects overspill from nearby instruments. A continuously adjustable vise-type clamp makes it easy to fix the microphone securely on the top hoop of most drums or percussion instruments. An external shock mount provides high mechanical-noise rejection. A special snap-on stabilizer knee will keep the gooseneck bent at a defined angle. The C 518 M features an integrated, switchable bass cut for adjusting the microphone's frequency response to your instrument's sound. The AKG C 518 M is designed for use with an external phantom powering.Miniature cardioid condenser clamp-on microphone with shock mounted capsule Ideal for miking drums and percussions Including wireless direct adapter for easy use with AKG pocket transmitters Detachable microphone cable Integrated gooseneck Continuously adjustable vise type clamp The unique adapter plate A 400 allows easy attachment of the AKG pocket transmitters Includes the A 400 adapter, H 518 drum bracket, microphone bag, and the W 44 windscreen |
| AKG D 112 Kick Drum Microphone $ 199.0  On stage or in the studio the AKG D 112 Kick Drum Mic is the microphone to use to clean up the dirty low down. Stays free of distortion even at high sound pressure levels. Solid and powerful response below 100Hz. Very low diaphragm resonance, relatively narrow-band rising high-frequency response at 4kHz, and extremely robust construction are other outstanding features. Also works great for bass cabs, trombone, and other low-frequency instruments. Channel Strips of the Stars: Ronan Chris Murphy World-class producer/engineer/mixer Ronan Chris Murphy's credits include King Crimson, Steve Morse, Terry Bozzio, Victor Bisetti, Gregg Bissonette, Tony Levin, and projects with members of Tool, Ministry, Weezer, Dishwalla, and Yes. A huge fan of A Designs Audio, Ronan was kind enough to share some of his drum-recording signal chains: "Well all of the drums for Terry Bozzio's Jazz trio were recorded with all A Designs Audio solid state preamps. For drum overheads I used Shure KSM32 condenser mics (#270141) into a Pacifica for kick drums, AKG D112s into A Designs Pacificas (189903). (I prefer the Shure Beta 52 (#270267) for kick but they (D112s) were pre-mounted inside Terry's (Bozzio) kick drums. Actually I have used the Shure KSM32 into Pacifica combo on tons of great drummers, including Terry Bozzio, Victor Bisetti (Los Lobos), Gregg Bissonette (Santana, David Lee Roth), and Pat Mastelotto (King Crimson, Mister Mister, The Rembrandts)." Note: for more information about individual units in the signal chain, enter the Item ID# into our search box.Handles up to 168db SPL with no audible distortion Low diaphragm resonance Extremely robust construction 2-year parts and labor warranty |
| AKG C 414 XL II Condenser Microphone $ 999.0  The AKG C 414 XL II condenser microphone is the successor to the famous AKG C 414 B-TL II mic. The AKG C 414 XL II mic shows the unique sonic signature of the highly sought after AKG C 12 which enables lead vocals and solo instruments to be placed even in a dense mix. The unrivaled up-front sound is also well-known for distant miking applications like classic music recording or drum ambience miking. The XL II mic version differs from the XLS version in one major respectthe capsule. Both the slight presence boost and the impressive spatial reproduction is similar to the legendary AKG C 12 microphones. The AKG C 414 XL II offers 9 pickup patterns for you to choose the perfect setting for every application. For live-sound applications and permanent installations, all controls can be disabled easily enabling trouble-free use. A Peak-Hold LED displays even shortest overload peaks. AKG ships the C 414 XL II microphone complete with carrying case, pop filter, windscreen, and a spider-type shock mount. For over 60 years, leading musicians and engineers have used legendary AKG microphones to capture their sound so their audience hears every nuance. The C 414 family has been one of the world's most widely-used and respected studio and stage microphones in audio history. AKG has continually set new benchmarks for useful features, improved technical specifications, and ease of use to answer requests from ever-demanding recording studios, broadcast stations, and audio engineers.Upgrade of the AKG C 414, a legend since 1971 Nine selectable pickup patterns enables to choose the perfect setting for every application Lock Mode: all controls can be disabled easily for trouble-free use Peak Hold LED even detects shortest overload peaks Incredible Dynamic Range of 152dB Three switchable different bass cut filters and three pre-attenuation levels Leading-edge technology and state-of-the-art components ensure shortest signal path and extra protection against moisture Designed, engineered, and built in Vienna, Austria Excellent for: Lead vocals Lead instruments Choir miking Drum overhead miking Classic music recording |
| AKG C518M Miniature Cardioid Condenser Microphone $ 249.0  AKG C518M Miniature Cardioid Condenser Microphone |
| AKG D 112 Kick Drum Microphone $ 199.0  AKG D 112 Kick Drum Microphone |
| AKG AKG C2000B/H85 Microphone with Shockmount $ 181.09  AKG AKG C2000B/H85 Microphone with Shockmount |
| Link To This Page | Actions | ||||||||||||||
|
| ||||||||||||||
