Search results for Korg Radias-R Virtual Analog Synthesizer Rack
| Korg monotribe Analogue Ribbon Synthesizer $ 199.0  The monotribe Analog Ribbon Station - bringing responsive realtime control to analog groove-making. In a world seemingly ruled by digital, Korg created an analog sensation with the palm-sized monotron Analogue Ribbon Synthesizer. |
| Korg monotron Analogue Ribbon Synthesizer $ 49.95  Korg is no newcomer to the joys of analog synthesis. Back in the 1970s, our astounding fully polyphonic PS-3000 Series and our affordable semi modular MS Series set the bar for creative musicians around the globe. Surely one of the most popular of Korg's analog synthesizers was the coveted MS-20, famous for its dynamic sound creation capabilities and its fat, snarly, expressive filter. Kept popular by dance and electronic artists, this legendary MS-20 filter came back to life using the Component Modeling Technology in Korg's Legacy software collections. Now you can experience the glorious, evocative MS-20 filter along with true analog synthesis in Korg's new monotron Analogue Ribbon Synthesizer!! |
| Korg microKorg XL Analog Modeling Synthesizer and Vocoder $ 499.0  The microKORG range expands with a new big brother to mega selling microKORG synth. The original microKORG is loved and used daily by musicians around the world - from keyboardists to guitarists - enabling everyone to experience the enjoyment of a great synthesizer. Now an advanced microKORG is available a synthesizer that lets you generate your own personal sound, packing a cutting-edge sound engine and powerful effects into a compact, vintage-like body. Welcome the microKORG XL. |
| Korg Microkorg Synthesizer/Vocoder $ 399.0  With 37 keys and 128 user-rewritable programs, the Korg MicroKORG Synthesizer/Vocoder is perfect for the musician looking for a serious yet affordable synthesizer. It provides powerful synthesis with the same dual-oscillator DSP synthesis engine found in the MS2000, and offers a wider selection of waveforms than most other modeled synths. It also has an 8-band vocoder with many advanced features, a full range of effects, and a flexible arpeggiator. 2 audio inputs let you process other instruments through it. Also serves as a compact MIDI controller. Comes with its own microphone.Powerful synthesis The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg's critically acclaimed MS2000 and offers a wider selection of waveforms than any other modeled synth. Oscillator 1 features a total of 71 waveforms. These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg's classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer.Four filter modes are available, offering -12 dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24 dB (4-pole) low pass setting. All include resonance. Two classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a Virtual Patch matrix that lets you create advanced modulation settingsrouting the Mod Wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc.and you have performance that is unheard of from a synthesizer in this price range!Classic vocoding The microKORG includes an 8-band vocoder with many advanced features. You can capture and "freeze" the formants of your voice, and then play it across the keyboard, or shift the formant frequency to make your voice sound male, female, like a child or just plain wacky! Best of all, the microKORG comes with its own microphone so you can start having fun right away.A full range of effects Three types of modulation effects (chorus/flanger, phaser, ensemble), three types of delay effects (stereo, cross, L/R), and a two-band equalizer add the finishing touch to the microKORG. The delays can be synchronized with the arpeggiator or to an external MIDI clocka great feature for live performances or for laying down tracks. All effects can be edited to create your own, unique sounds.Great sounds and expression Korg has used all of the microKorg's synthesis power in the creation of 128 great-sounding presets. They cover a wide range of the lat |
| Korg Microkorg Synthesizer/Vocoder $ 399.0 With 37 keys and 128 user-rewritable programs, the Korg MicroKORG Synthesizer/Vocoder is perfect for the musician looking for a serious yet affordable synthesizer. It provides powerful synthesis with the same dual-oscillator DSP synthesis engine found in the MS2000, and offers a wider selection of waveforms than most other modeled synths. It also has an 8-band vocoder with many advanced features, a full range of effects, and a flexible arpeggiator. 2 audio inputs let you process other instruments through it. Also serves as a compact MIDI controller. Comes with its own microphone.Powerful synthesis The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg's critically acclaimed MS2000 and offers a wider selection of waveforms than any other modeled synth. Oscillator 1 features a total of 71 waveforms. These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg's classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer.Four filter modes are available, offering -12 dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24 dB (4-pole) low pass setting. All include resonance. Two classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a Virtual Patch matrix that lets you create advanced modulation settingsrouting the Mod Wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc.and you have performance that is unheard of from a synthesizer in this price range!Classic vocoding The microKORG includes an 8-band vocoder with many advanced features. You can capture and "freeze" the formants of your voice, and then play it across the keyboard, or shift the formant frequency to make your voice sound male, female, like a child or just plain wacky! Best of all, the microKORG comes with its own microphone so you can start having fun right away.A full range of effects Three types of modulation effects (chorus/flanger, phaser, ensemble), three types of delay effects (stereo, cross, L/R), and a two-band equalizer add the finishing touch to the microKORG. The delays can be synchronized with the arpeggiator or to an external MIDI clocka great feature for live performances or for laying down tracks. All effects can be edited to create your own, unique sounds.Great sounds and expression Korg has used all of the microKorg's synthesis power in the creation of 128 great-sounding presets. They cover a wide range of the lat |
| Zero G PHAEDRA VIRTUAL ANALOG SYNTH $ 179.96  Phaedra is a Zero-G/Xfonic virtual instrument powered by Native Instruments' Kontakt Player 2 and featuring over 4GB of sounds, 20,000 samples, and 720 patches, making it a unparalleled virtual analog synth. Unhappy with the lack of raw sonic power in virtual emulations of VSTi analog synths, producer Sam Spacey set out on a three-year journey to make the ultimate synth. He ended up creating a monster in Phaedra. Constructed with the same attention to detail as a huge orchestral sample library, each of the 20,000 samples on Phaedra have been edited and looped by hand, with loops being very long so as to extract that lovely magic of analog randomness. Nearly every single preset has each separate note sampled so as to eliminate aliasing within the instrument's range. With Kontakt 2's engine being pushed totally to the limits, the result is a sample library that is a full synthesizer in its own right. And it is suitable for use with all types of music and would enhance any music producer's sonic arsenal. Synths used (as described by producer Sam Spacey) Mini Moog D: Was very hard work to sample due to the fact that if you looked at it, it went out of tune. Welsh Moog: A prototype re-issue Moog made in Wales, that had a unique PWM mod done to it. Yamaha CS5L: Very snappy and fast attack and surprisingly bass-y oscillators. Yamaha CS-15: This one was delivered in a terrible and broken state, but sounded great for it. Yamaha CS-30: Sometimes I stacked all 3 Yamahas up over CV voltage for a huge sound. Korg Monopoly: Still getting to grips with this 4-osc howling beast. Korg MS-20: Very quirky with a great filter. Studio Electronics SE-1: Modern rack-mounted Moog that could store presets and stay relatively in tune. Studio Electronics SE-1: as above but with filter input. I stacked these two a lot, as the sound combinations were awesome. Roland SH-101: Wet and squelchy, a really good little workhorse. Crumar Multiman: 70's string synth with Arp filters, surprisingly interesting palette of sounds. Akai AX-73: Cheap and nasty but I love it for that fact evil filter. Analog Phaser: Home-made, based on the Small Stone that was modded and used by Jarre on everything he did. Roland analog chorus pedal: Subtle but lovely. Ensoniq Esq-1 (the only digital piece used): 8-bit grungy samples going through complete Curtis analog circuitry - I love this synth. Sound Quality All the sounds were recorded and processed at 16-Bit resolution and 44.1 KHz sample rate. Organization The Instruments list groups the sounds into categories. Each category has a different colored GUI, for example the Synth category has a red interface, Leads are blue, Bass are grey, and Pads are green. Memory Size All programming has been carried out with th |
| Korg MicroKORG Synthesizer/Vocoder $ 399.0  With 37 keys and 128 user-rewritable programs, the Korg MicroKORG Synthesizer/Vocoder is perfect for the musician looking for a serious yet affordable synthesizer. It provides powerful synthesis with the same dual-oscillator DSP synthesis engine found in the MS2000, and offers a wider selection of waveforms than most other modeled synths. It also has an 8-band vocoder with many advanced features, a full range of effects, and a flexible arpeggiator. 2 audio inputs let you process other instruments through it. Also serves as a compact MIDI controller. Comes with its own microphone.Powerful synthesis The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg's critically acclaimed MS2000 and offers a wider selection of waveforms than any other modeled synth. Oscillator 1 features a total of 71 waveforms. These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg's classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer.Four filter modes are available, offering -12 dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24 dB (4-pole) low pass setting. All include resonance. Two classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a Virtual Patch matrix that lets you create advanced modulation settingsrouting the Mod Wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc.and you have performance that is unheard of from a synthesizer in this price range!Classic vocoding The microKORG includes an 8-band vocoder with many advanced features. You can capture and "freeze" the formants of your voice, and then play it across the keyboard, or shift the formant frequency to make your voice sound male, female, like a child or just plain wacky! Best of all, the microKORG comes with its own microphone so you can start having fun right away.A full range of effects Three types of modulation effects (chorus/flanger, phaser, ensemble), three types of delay effects (stereo, cross, L/R), and a two-band equalizer add the finishing touch to the microKORG. The delays can be synchronized with the arpeggiator or to an external MIDI clocka great feature for live performances or for laying down tracks. All effects can be edited to create your own, unique sounds.Great sounds and expression Korg has used all of the microKorg's synthesis power in the creation of 128 great-sounding presets. They cover a wide range of the lat |
| Korg R3 Synthesizer / Vocoder Keyboard $ 599.0  The Korg R3 is powered by the MMT (Multiple Modeling Technology) analog synthesis-modeling sound engine and delivers 2-timbre/8-voice performance in an easy-to-use 37-key 'board. 128 programs deliver crucial synth sounds from leads and pads to strings and percussion with 2 oscillators, 3 envelope generators, 2 filters, an amp section, effects, and a noise generator available for each voice. In addition to the vocoder which works with the onboard mic input, it has a modulation sequencer for precision 16-step control of modulation movement.MMT synthesisThe versatile range of built-in oscillator algorithms covers everything from familiar analog synthesizer waveforms, to unique digital waveforms and even live audio input. For each voice, the R3 provides two oscillators. Oscillator 1 (OSC1) gives you a choice of seven waveforms including sawtooth, pulse, formant, noise, and DWGS, as well as allowing you to select an external audio source connected to the AUDIO INPUT 1 and 2 jacks. To enhance the basic analog synthesizer waveforms such as the sawtooth, pulse and triangle waves, you can apply cross modulation, pulse-width modulation, unison voice-thickening, or even VPM (Variable Phase Modulation).Oscillator 2 (OSC2) gives you a choice of four waveforms such as sawtooth and sine, and can also be used as a modulation oscillator to apply sync modulation, ring modulation or a combination of the two for distinctively analog synthesizer sounds. The noise generator (NOISE) produces white noise, and provides a useful way to create breath noise for wind instrument sounds, or to produce evocative sound effects. The sawtooth wave and pulse wave use the same basic low-aliasing design as the AL-1 Analog Synthesizer found in Korg's flagship OASYS synthesizer.Two filters with selectable routingThe R3 features a dual filter structure that can be configured in series, parallel or an individual structure allowing each oscillator to have its own dedicated filter. Filter 1 is a multi-mode resonant design that lets you continuously vary between various low-pass, high-pass and band reject characteristics. Filter 2 has a switchable, multi-mode resonant design that also includes comb filtering, which can be made to feed back in order to boost multiple series of overtones, giving you amazing potential for generating unique tonal changes.Amp section with a Drive/Waveshaping circuitThe Drive circuit lets you create the subtle yet distinctive distortion typical of an analog synthesizer, or generate new overtones by deeply overdriving the sound. The Waveshaping circuit gives you twelve types of transformation including hard clipping, and can be used as a decimator to produce typically digital roughness by converting the sampling frequency. It can even be used as a sub-oscillator, opening up new sound-making possibilities. The Drive/Waveshaping circuit can be placed either before the amp section or immediately before Filter 1 to give you different nuances of sound. With additional |
| Korg R3 Synthesizer / Vocoder Keyboard $ 549.0  The Korg R3 is powered by the MMT (Multiple Modeling Technology) analog synthesis-modeling sound engine and delivers 2-timbre/8-voice performance in an easy-to-use 37-key 'board. 128 programs deliver crucial synth sounds from leads and pads to strings and percussion with 2 oscillators, 3 envelope generators, 2 filters, an amp section, effects, and a noise generator available for each voice. In addition to the vocoder which works with the onboard mic input, it has a modulation sequencer for precision 16-step control of modulation movement.MMT synthesisThe versatile range of built-in oscillator algorithms covers everything from familiar analog synthesizer waveforms, to unique digital waveforms and even live audio input. For each voice, the R3 provides two oscillators. Oscillator 1 (OSC1) gives you a choice of seven waveforms including sawtooth, pulse, formant, noise, and DWGS, as well as allowing you to select an external audio source connected to the AUDIO INPUT 1 and 2 jacks. To enhance the basic analog synthesizer waveforms such as the sawtooth, pulse and triangle waves, you can apply cross modulation, pulse-width modulation, unison voice-thickening, or even VPM (Variable Phase Modulation).Oscillator 2 (OSC2) gives you a choice of four waveforms such as sawtooth and sine, and can also be used as a modulation oscillator to apply sync modulation, ring modulation or a combination of the two for distinctively analog synthesizer sounds. The noise generator (NOISE) produces white noise, and provides a useful way to create breath noise for wind instrument sounds, or to produce evocative sound effects. The sawtooth wave and pulse wave use the same basic low-aliasing design as the AL-1 Analog Synthesizer found in Korg's flagship OASYS synthesizer.Two filters with selectable routingThe R3 features a dual filter structure that can be configured in series, parallel or an individual structure allowing each oscillator to have its own dedicated filter. Filter 1 is a multi-mode resonant design that lets you continuously vary between various low-pass, high-pass and band reject characteristics. Filter 2 has a switchable, multi-mode resonant design that also includes comb filtering, which can be made to feed back in order to boost multiple series of overtones, giving you amazing potential for generating unique tonal changes.Amp section with a Drive/Waveshaping circuitThe Drive circuit lets you create the subtle yet distinctive distortion typical of an analog synthesizer, or generate new overtones by deeply overdriving the sound. The Waveshaping circuit gives you twelve types of transformation including hard clipping, and can be used as a decimator to produce typically digital roughness by converting the sampling frequency. It can even be used as a sub-oscillator, opening up new sound-making possibilities. The Drive/Waveshaping circuit can be placed either before the amp section or immediately before Filter 1 to give you different nuances of sound. With additional |
| Korg X50 61-Key Synthesizer $ 349.5  Korg X50 61-Key Synthesizer |
| Korg X50 61-Key Synthesizer $ 594.15  Korg X50 61-Key Synthesizer |
| Korg X50 61-Key Synthesizer $ 699.0  Korg X50 61-Key Synthesizer |
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