Search results for Universal Audio LA610 MKII Classic Tube Microphone Preamplifier
| Universal Audio LA-610 MkII Classic Tube Microphone Preamplifier $ 1599.0  The LA-610 defined the affordable, ultimate vintage tone channel strip. So how can UA improve on tonal perfection in what was already a hit product? Enter the sequel... LA-610 Mk II, a second-generation revamp of the original 2005 LA-610 design. While the preamp and compressor are identical to the original LA-610 that users have come to know and love, user-requested features such as true compressor bypass, larger metering, improved output signal, an auto-sensing power supply have been added bringing the end user an enhanced user experience. The LA-610 Mk II also features the highly popular "black on black" cosmetics of the LA-610 Signature Edition. |
| Universal Audio 2-610S Silverface Dual Channel Tube Preamplifier $ 2199.0  The Universal Audio 2-610 is based on the legendary Universal Audio 610 modular console. Designed by Bill Putnam, the Universal Audio 610 was among the first modular recording consoles. Early Universal Audio consoles were used in all of Putnam's studios including Universal Recording in Chicago and United/Western in Los Angeles. Many prominent engineers such as Bruce Swedien began their careers in these studios with this classic rotary knob console. The 610 was particularly well noted for its preamplifier, and has left its mark on countless classic recordings from Frank Sinatra to Van Halen, to the seminal Brian Wilson recording, Pet Sounds. |
| Universal Audio 4-710D 4-Channel Microphone Preamp $ 1999.0  The Universal Audio 4-710d is a boutique quality, four-channel microphone/line preamplifier with unique tube and solid-state tone blending capabilities, perfect for a wide range of microphone and instrument sources. This versatile multi-channel preamp offers selectable 1176-style compression circuitry on each channel, plus four additional line inputs feeding eight channels of pristine analog-to-digital conversion. Building upon UA's classic analog design approach, combined with smart modern features, the 4-710d is the most flexible preamp in the UA lineup. |
| A Designs Mp-2A Stereo Tube Microphone Preamplifier $ 2495.0  There aren't many companies that can design and build one preamp that engineers and producers feel that they could make an entire record with. A Designs Audio has built two. The all-tube MP-2A and the solid-state Pacifica, but we're here to talk about the MP-2A (you can check out the Pacifica later). With A Designs Audio's MP-2A, not only do you get a never-ending sweetspot and sonic majesty, it also gets top marks in "works and plays well with others." Meaning, while some preamps are picky when it comes to mics, the MP-2A welcomes all - and sounds great no matter what you put through it - ribbon, dynamic, or condenser. Better still, while the MP-2A falls squarely into the realm of "color" preamp, it never overwhelms a track with too much character. If you've been searching for an all-tube preamp with a rich bottom end, sweet and airy top end and enough tonal versatility to record all of your tracks without over-colorization at mixdown, think A designs Audio MP-2A. A Designs Audio MP-2A, First Take: True tube in, tube out stereo mic preamp World-class custom-wound transformers Two "tone" switches, give you four unique tone signatures. Audiophile quality and components and a price below comparable boutique preamps True tube mic preamp The MP-2A is a classic 2-channel tube mic pre based on the celebrated MP-1. It offers the same true tube in/tube out design, plus the same quality that made the original MP-1 and MP-2 the buzz of the professional audio industry. New features include a -20 db pad switch, two selectable tone switches for four possible tones, plus 60db of gain (perfect for next generation ribbon mics) Classic features include a world-class Cinemag input transformer coupled with a custom wound output transformer, delivering the low noise and top quality sound that you demand from a high-end, high-priced mic-pre. Additional features include a balanced combo XLR/1/4 inch input, a true VU meter, phantom power and phase reverse switches, and a front panel line level input jack. Custom transformers, the key to punchy sound and quiet operation A lot of preamp builders believe that transformers are things to be avoided, but in reality, they're responsible for the sound we prefer in rock/pop music. The trick is finding good ones. Bad transformers can ring or decimate the upper frequency range, but when a transformer is properly designed and built, such as those by Cinemag (whose lineage includes making transformers for the top consoles in recording history) they are a thing of beauty, delivering a full, punchy sound like no other. Plus, thanks to the superior electronic isolation of transformers, noise and hum is reduced. That's why you can overdrive an MP-2A and get rich, milky distortion without the extra noise. The transformers you find in A Designs Audio's preasmps are hand- and "ear-" built by Tom Reichenbach of Cinemag. Tom is the son of the designer of the legendary Quad Eight consoles, whose sound rivaled Neve and |
| Slate Pro Audio Fox 2-Channel Microphone Preamplifier $ 1699.99  Covering the range from classic &ldquo British Class A-style&rdquo vintage tone to ultra-clean modern sparkle, the Slate Pro Audio Fox 2-channel microphone preamplifier is one of the most versatile mic pres out there. The way the Fox shapes tone is brilliant. There are two completely independent microphone preamplifier circuits in each of the Fox"s channels. The Vintage circuit calls up the sound of the legendary 1073-style preamp - warm, fat, and full of lush harmonics. Conversely, the Modern setting gives you a sparkling clean sound that"s perfect for capturing acoustic instruments in picture-perfect detail. What"s more, the Fox features two Combo modes, which combine the input and the output sections of both circuits, giving you a pair of completely unique preamp sounds.2-channel microphone preamplifier 4 distinct microphone preamplifier sounds in each channel 2 independent preamp circuits in each channel Classic circuit provides 1073-style sound Modern circuit provides ultra-clear sound 2 combo modes combine the input and output sections of each preamp circuit Includes instrument inputs, phase controls, and phantom power 100% made in the USA |
| D.W. Fearn Vt-2 Dual Channel Vacuum Tube Microphone Preamplifier $ 3900.0  The VT-series microphone preamplifiers from D.W. Fearn will change the way you think of audio quality. The transparency is astounding. Vocals sound smoother, warmer, more intimate, with a compelling presence. Any microphone and any sound will benefit from the improved clarity, definition, and lack of solid-state artifacts. The VT-2 preamplifier recreates the sound of classic tube preamps of the 1960s. Modern components and computer-optimized circuitry, unavailable during the vacuum tube era, elevate this design to a new level of performance. The VT-2 mic preamp was designed for optimal sonic quality, reliability, and durability. Like the best tube equipment of the 1950s and '60s, the VT-2 is built on a heavy-guage aluminum chassis, utilizing point-to-point wiring. Each vacuum tube is selected for minimum noise and microphonics, and maximum sonic clarity. The front panel switches control sealed, gold-contact precision relays for all audio switching, eliminating the possibility of dirty contacts degrading the sound and minimizing the internal audio path. Four class-A triode amplifier sections (in two tubes) in each channel comprise the entire active circuit. This surprisingly simple circuit, along with top-quality components and careful design optimization, results in the sonic superiority that the VT-2 has become known for. All over the globe, VT-2 preamps are in daily use in the world's best studios, as well as in home project studios, helping many top recording artists achieve the best possible sound. Important Note: Due to heat given off by tubes, D.W. Fearn recommends that you provide at least one rack unit (RU) of space above and below their audio rack products. For proper cooling and a refined look for your rack, we highly recommend using D.W. Fearn Vented Rack Panels (#180296). Single-channel version D.W. Fearn VT-1 also available (see #180271). History of the VT-1 and VT-2 Vacuum Tube Microphone Preamplifiers One day in 1991 I was going through some old masters in a closet at home and came across a reel from 1968. It was one of the first studio recordings I ever made. I pulled the tape box off the shelf and thought about those days. Although I suspected that the recording might be a bit crude, I remembered that the music was pretty good, so I made a cassette to listen to in the car. I kept forgetting to put the cassette in my pocket for a few days, but finally I remembered to take it. That old recording brought back memories of my first studio and how primitive a setup it was. But listening to that tape was a revelation some of the sounds were really nice. The vocals were full and warm but still punched through. Acoustic guitars had a depth I don't often hear in current recordings. And the sax solo wow! It ripped through with a grossly distorted but beautifully powerful sound. That recording was done on a 4-track Scully 280 and mixed to a 2-track Scully. My prize microphone was a Neumann U-87 and that's what was probabl |
| Chameleon Labs 7602 MKII Mic Pre/EQ $ 719.0  The Model 7602 MKII from Chameleon Labs is the sequel to the 7602 Microphone Preamplifier / Equalizer. New features in the MKII model include selectable mic impedance, LED input metering, upgraded knob styles, and two different power optionsall of this for the same price as the original unit. The signal processor ships with an inline power transformer (all regulation is done inside the unit). The rackmountable CPS-1 can also still be used, but is no longer required. The 7602 MKII Microphone Preamplifier/Equalizer is based on a classic and revered design utilizing pure Class 'A' circuitry. This unit is made with 100% discrete components, hand wound transformers and was fabricated to precisely match vintage counterparts manufactured in the early to mid 70's. Equalizer Section (Selectable 3 band design with a flexible filter section): Filter This is a high pass filter with 3db loss at 300Hz, 160Hz, 80Hz, and 50Hz with an 18db cut per octave slope. Low Equalization This section has a shelving slope with four frequency selections: 220Hz, 110Hz, 60Hz, and 35Hz. This equalizer affects the selected frequency and all others below it. The gain control provides 20db of boost or cut. Mid Equalization This section has a peaking characteristic with six frequency selections: 360Hz, 700Hz, 1.6k, 3.2k, 4.8k, and 7.2k. The gain control provides 20db of boost or cut. High Equalization This section has a shelving characteristic with five frequency selections: 16k, 12k, 7k, 4.9k and 3.4k. This section adjusts the selected frequency and all others above it. The gain control provides 20db of boost or cut. Electronics By employing classic circuit design, polystyrene capacitors, a gold contact ELMA gain selector and custom wound transformers, Chameleon Labs ensures that the Model 7602 MKII will exhibit classic audio sound. The Model 7602 MKII has a transformer balanced input with a range between 20dB and 80 dB of gain. The separate line input is transformer balanced and accepts input levels from -20 to +10dB. Power Options The Model 7602 MKII features two different power options: 24VAC Adapter: Each Model 7602 MKII ships with a mid-line power supply, type-dependent on country of operation. This is not a traditional "wall-wart" but simply an outboard AC transformer. DC filtering and regulation is accomplished inside the 7602 MKII itself. CPS-1 Dual Power Supply (sold separately): For users who prefer a rack-mounted power option, the 7602 MKII preamp / EQ may instead be powered by the CPS-1 Dual Power Supply. The CPS-1 is offered as an optional accessory and can provide power to two 7602 MKII units. Users will need to contact their preferred dealer to acquire the DC Cable needed to connect the CPS-1 and 7602 MKII. What Makes Chameleon Labs Different? Chameleon Labs is a new type of company, focused on delivering performance and value at a price previously thought impossible. How do they do it? By reinventing how global manufacturing is approached. C |
| Universal Audio UA-S610 SOLO/610 Classic Vacuum Tube Microphone Preamp and DI Box $ 729.99  The SOLO/610 by Universal Audio is designed to deliver the classic sound of the Putnam 610 console. The all-tube SOLO/610 provides the silky vintage warmth of the original UA 610 console used by artists ranging from Sinatra to Van Halen. Its all-tube circuit was carefully created to maintain the character of its vintage predecessor with the audiophile components and solid build you'd expect from a UA product. It has mic and DI inputs Thru output continuous gain and level controls a gain-structuring Shape switch 48V phantom power lo cut filter phase reverse ground lift and versatile mic/line level output switch. The SOLO/110 is hand-assembled by Universal Audio in the USA.World-class mic pre and DIClassic Putnam 610 console all-tube soundAll-tube circuit path constructed of audiophile-quality componentsMic and DI inputsThru outputGain, Level, and impedance selectionGain Shape switchMic/Line level output switch48V phantom powerLo Cut filterPhase reverseGround liftRugged steel chassis constructionHand-assembled by Universal Audio in the USA |
| Universal Audio 2-610 Silverface Dual Channel Mic Pre $ 2099.0  The Universal Audio 2-610 is a two-channel tube microphone preamplifier based on the legendary Universal Audio 610 modular console, which was never commercially available (though Frank Sinatra and Ray Charles each had one). The UA 610 has left its mark on countless classic recordings from Sinatra to Pet Sounds to Van Halen to LA Woman. Designed by Bill Putnam, the Universal Audio 610 was among the first modular recording consoles. Early Universal Audio consoles were used in all of Putnam's studios including Universal Recording in Chicago and United Western in Los Angeles. Many prominent engineers such as Bruce Swedien began their careers in these studios with this classic rotary knob console. Along with the 610, UA's 1176LN Limiting Amplifier and Teletronix LA-2A Leveling Amplifier have remained studio standards since their introduction and continue to define the sound of modern music.Unlike many vintage "style" mic pres, the 2-610 is true to the design of its predecessor, the Universal Audio 610. The expertise of Universal Audio in analog design translates into a classic tube preamplifier with all of the character of its vintage predecessor, yet designed for the requirements and rigor of the modern studio. Universal Audio has taken great care to preserve the quality and character of the original, while adding functionality with more boost/cut settings, phantom power, direct inputs and impedance controls.The Universal Audio 2-610 Mic Pre is the perfect tool for tracking and ideal when used in conjunction with a Universal Audio compressor such as the 1176LN and Teletronix LA-2A. Whether you're running pure analog or seeking to enhance your digital audio workstation, the 2-610 will bring classic tube character to your recording.Classic Sound of the Legendary 610 Modular ConsoleVariable Input Gain and Output LevelsUltra Quiet OperationMic, Balanced Line, and Hi-Z InputsMultiple Impedance SettingsClassic EQCustom Wound Double Sized Alloy Transformers |
| Universal Audio UA-S610 SOLO/610 Classic Vacuum Tube Microphone Preamp and DI Box $ 679.15  Universal Audio UA-S610 SOLO/610 Classic Vacuum Tube Microphone Preamp and DI Box |
| Tube-Tech MP 1A Microphone Preamplifier $ 3153.15  Tube-Tech MP 1A Microphone Preamplifier |
| Universal Audio LA-610 Mk II Classic Tube Recording Channel $ 1455.09  Universal Audio LA-610 Mk II Classic Tube Recording Channel |
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